You've heard of Alien vs Predator, now how about sticking some monster food into the ring? Blindfold your cultural bias and see which food wins.

Durian vs Camembert

Common ground: Both have a stench that is tirelessly compared to old socks.

In the left corner: Durian. It grows on a tree, needs no preparation or additives and is choc-full of vitamins and minerals.

In the right corner: Camembert. Cheese is old milk that has been digested by bacteria. It's high in fat but also high in calcium and protein.

Bugs vs pork

Common ground: Both are used as insults to insinuate that a person is slovenly and disgusting.

In the left corner: Cockroaches. These bugs can live almost anywhere on essentially anything and can be raised in vast numbers. With 37% protein plus plenty of fatty acids, iron and calcium, they are very nutritious indeed. For cooking ideas click here.

In the right corner: Pork. Pigs are highly intelligent, mammals. Most pork we eat comes from pigs raised in such tight quarters they aren't able to change position through most of their adult life. To reduce infection from the pestilence in which they live, the animals are pumped with antibiotics. Meanwhile the massive amount of waste produced by the animals pollutes the air and may seep into the ground spreading health problems.

Kava vs beer

Common ground: Both dull your mental state and are used for relaxation and hanging out with the bros.

In the right corner: Kava. A bitter, muddy drink with a taste that improves as your mouth gets numbed by it. It's about the mellowest high you can imagine that's often described as an 'extreme well-being.' It makes you chilled out, no one ever fights. It's so imbedded into some Pacific cultures that a complicated ceremony has grown around it.

In the left corner: Beer. It can taste pretty awesome especially when chilled on a hot day. Ceremonially you say 'cheers' or maybe buy someone a beer as a nice gesture. But it makes some people violent and stupid. I'd hang out with a bunch of guys I didn't know drinking kava, but not beer.

So who won? I'm not about to eat bugs for dinner but I could go for some durian and a beer about now.

Cheers.

It was a tough job but somebody had to do . . . OK who am I kidding? Covering the remote islands of Fiji was possibly my most fun gig out of my seven years of working for Lonely Planet. Why? Well, it's not for the reasons you'd expect. The weather was terrible - I saw the sun maybe three hours in four weeks and I only got in the water five times; I drank about six beers total, had flights cancelled and skipped several meals due to my over-full work schedule. This wasn't your cliché fun in the sun voyage. No, the reason it was so great was for intangible factors that escape tourist brochures: the real, ever-present smiles, the way everything happens in the present (so forget planning or dwelling on anything), kava drinking at night to songs everyone knows, feeling safe all the time, a red hibiscus flower behind the ear, the list goes on. Fiji, to put it straight, is as heavenly for its culture as it is for its coral gardens and rainforests.

My first stop on this trip was Labasa, a landlocked sugar industry center that the guidebook describes as dusty and of little interest to travelers. I got off the plane after about 20 hours of flying and transfers, got my bag and found a taxi. The driver was a plump Indo-Fijian woman who, within five minutes of chatting, invited me to stay at her house. I didn't take her up on the offer because I'd already booked and paid for a hotel and I was too tired to want to worry about the politeness it requires to stay in someone's home, but I was touched by her gesture. Then stuff like this kept happening - and Labasa was the least friendly place I visited.



On the boat to Taveuni I met a woman with three children who invited me over for lunch. She was a school teacher. The house had three rooms without one piece of furniture although the walls were lined with giant sheets of brown painted tapa. We sat on woven pandanus mats and ate boiled eggs, toast and milky tea, laughed and chatted while the children gazed at me, intrigued - then her husband drove me to my guesthouse so I didn't have to pay for a taxi.

My job looking at hotels the next day was probably the most pleasant I've ever experienced. I saw about 10 hotels and guesthouses on foot and each one I stopped at (whether they had any idea what I was doing or not) invited me in for food or drink and I ended up sitting and talking with them all at least a half hour - way more time than I usually allot. Although I'd never met any of these people before it felt like I was visiting old friends. When I walked down the street random people would come up and just start talking to me, pleasantly and without any motive beyond being natural and nice. And this went on everywhere I went.

Towards the end of my trip I met another woman on a boat who invited me to stay in her village - which happened to be near several places I needed to visit. This was a highlight as anyone who has stayed in a Fijian village will tell you - I could write an entire blog post on this alone. The point is, you get invited, everywhere, and it's safe, fun and all warm and fuzzy.



When I hired a boat man to take me around islands he caught a bunch of fish and gave them all to me just because I said I liked fish. When 16 locals were drinking kava at night and playing music, they would make sure that every few songs would be an American song I'd probably know so I could sing along. They would figure out my music tastes without asking as the night wore on and would be able to dig up classics I not only knew but liked (4 Non Blonds' What's Up was a personal fave).

In the meantime five minutes anywhere became an hour, flights were cancelled constantly so tourists were missing international connections and I lost two work days because of airplane malfunctions. And nobody, not even the most uptight looking tourists with business meetings to get to, cared. Anyone who has been in Fiji more than a week knows that there's no point in fighting 'Fiji time' and you just gel yourself into the moment where, hey, you're in Fiji, so enjoy. Stress seems silly. The Internet never works so email becomes irrelevant. No one wears makeup or fashionable clothes, there are rarely mirrors anywhere and you begin to forget what you look like. Someone everyday will beckon you in for a bowl of kava and if you don't like kava just go in and sit with them anyway and it's OK. Fiji is that place where all the world's crap has been raked away to expose a clean and shiny humanity. It's refreshing and mesmerizing and it stays with you after you've left.

I spent my last few days on Viti Levu where I learned quickly that my pure Fiji experience unrolled the way it did because I was in the outer islands and not in the main tourist center. I got pick pocketed, ruthlessly hit on by beach boys and saw every other female I met get as aggressively hit on by hotel staff and local surfers to old Chinese shop owners. It was a transition back into the 'real' world, on the way to LAX with it's unsmiling TSA agents. Luckily my home is a good place and I've been tackling work with less stress than I usually do. The happy Fiji feeling will fade, this I know, but the lesson has been absorbed and I will try to remember that all this modern stuff is nothing compared to a smile and a shared cup of tea.

The day before yesterday Passports With Purpose (PWP) launched its third fundraiser, this year to build two libraries in Zambia. I was on a boat, a bus and then a plane on the day of the launch through last night (making my way from a remote isle in Fiji back home to Portland), so please excuse my tardiness, it has nothing to do with lack of enthusiasm for this annual project!

I do admit however that when I first heard that PWP was going to build libraries this year I was a bit disappointed. Yes I love books and learning and want the world to have access to this magical realm but aren't there other things that are more important like food, shelter and freedom from violence? As usual, the universe came and answered me. About four days ago, whilst on that small island in Fiji, I met an English woman who told me this story:

Angela was traveling through East Africa by bus. At a random dusty stop she heard a little boy very loudly and confidently proclaiming: "Public service announcement! Bananas contain potassium and are very good for your health! I have bananas for sale, get them here."

She found this adorable but she didn't like bananas. The little boy stopped at her bus window and asked her where she was from.

"England," she said.

"What part?"

She told him the town which was somewhere near South London.

The little boy then asked her what she thought of her local football team who he had seen play in a match on TV over the weekend - he knew the score. They chatted a little about football including the boy's favorite underdog team that happen to be the home team of another English couple sitting at the front of the bus.

"Here," said the boy after a few minutes. "Have a banana."

It was free gift but Angela didn't want a banana or get a freebee from this boy who surely needed the money so she refused.

Another boy nearby said innocently, "You don't want to be his friend?"

So Angela took the banana. With a quick thought, she decided to give the boys a magazine from the bus. The two boys immediately lit up, set down their bananas and poured over the magazine under a tree.

"All they wanted to do was read," Angela told me on that Fijian island. "I wished I could have given them a library's worth of books."

A light went off in my head; this is exactly what I was about to help do with PWP, except we're giving Zambian children two libraries worth of books. No it's not saving lives but it's certainly enhancing them and who's to say what's more important.

Now about my prize.

The "Mana Necklace" is Kamoka Pearls' signature adventure and travel jewelry and something I've worn on the road for years. Everything is sustainable from the pearl, grown with care in Ahe Atoll's lagoon in the Tuamotu Archipelago, to the kangaroo leather which is taken to quell over population in native stocks (it's also some of the strongest leather in the world).

The prize is a necklace on leather with a 10mm semi-round silver pink grade B pearl (great luster and two very small, nearly imperceptible blemishes) and an anklet with a 9.5mm medium tone grey-green-gold baroque grade B pearl (again very good luster with only a minor, scarcely visible scratch). You can see the details of the necklace line at http://buy.kamokapearls.com/collections/kangaroo-leather-line/products/mana-necklace but the anklet is a new product that isn't online yet - so this is a special pre-launch gift! The necklace is normally priced at $130 and the anklet is expected to be priced around $100 making the set worth around $230.

And if you're new here I might add that Kamoka Pearl is my family's farm run by my charming husband.

So please head over to the PWP website, bid on my prize and help build those libraries in Zambia!!!

My first guest post to Coconut Radio is by my daughter, Jasmine. This was originally an assignment for her English class (about lying) but I liked it so much I asked her to re-word it a bit for my blog.

Here's her take on what it's like traveling with me:

When I was about ten my mom took me, my dad, and my brother on a research trip with her to Thailand. I had been on many “big trips” before but this time I was deemed old enough to be taken to work instead of being left with dad. I had always wondered what happened in the secret world of my mom’s work so I was quite excited.

Shortly after arriving in Phuket we dropped the boys off at a hotel and, even though we were jet-lagged and tired from the trip, went to research a few hostels before the day was over. The first place we went had a grouchy American expat working at the front desk who was a little too enthralled with a half finished grid of Sudoku. My mom and I went straight up and asked to see a room.

"What kind of room do you wanna see?" grumbled the woman, reluctantly looking up from her Sudoku.

"Just a two person room," answered my mom.

The lady got up from her chair and eyed us curiously. "You girls here on your own?" she asked doubtfully.

"No" I said. "We have two other people with us".

As she showed us to the room I caught a glimpse of a cockroach or some other exotic Southeast Asian bug and coughed from the strong smell of cigarettes. When the Sudoku lady finally opened the door to a simple white room lit by flickering neon lights with a bunk bed and a small, glass cube shower, I immediately went and to have a look. I soon regretted my curiosity when a dead gecko that had been smashed in the shower door fell onto my arm and made me jump backwards. The woman hardly reacted, apparently squished geckos in shower doors happened a lot here.

Since I was distracted by wiping the gecko goo off my arm I only caught part of the conversation when the woman asked my mom why we were there.

"My cousin and her boyfriend are coming and they want a good cheap place to stay," said my mom.

"What?" I said from across the room. "When? Are we going to see them?"

"Of course, we're meeting them in Koh Phi Phi remember?"

"No, you never said anything about meeting anyone."

Had I not been tired from the trip, and had that gecko not given me a shot of adrenaline I probably would have noticed the look on my mom’s face.

"Well, you could save yourself some time and buy them the Lonely Planet" said the lady, with the kind of hoarse chuckle characteristic of life long smokers.

"My cousin doesn't really trust the Lonely Planet" said my mom giving me the death stare.

"What? Doesn't she know you wrote it?"

My mom opened her mouth to say something but it was too late, her cover had been blown. The lady tried to be nicer to us by offering us tea and a free night at her hostel but she was obviously quite angry that we had come as normal people instead of with a whole crew of photographers and assistants, which is how a lot of people think guidebooks are written. Neither of us wanted to stay in that place any longer than we had to so when we finally got away from the woman who, was suddenly our best friend. We took a tuk-tuk back to the hotel.

My mom was a little angry with me at first but she said it was alright since she wasn’t going to put that place in the book anyway. The next day we had much better luck with our research and luckily the word didn’t spread about there being a Lonely Planet author on the island.

"Eh Celeste poria ia 'oe!"

This means "Celeste, you're fat," and I'm frequently greeted this way by female Tahitian friends I haven't seen in awhile.

It's not a compliment. In the past rotundity may have been a sign of beauty for Tahitian women but the Western world has seeped in too deeply and now most people would prefer to be skinny. But the conversation starter has stuck and, unless you look almost sickly thin, or you're a known athlete, people will probably tell you you've put on weight or at least "haven't got any fatter." In a way it's like saying you look healthy and happy even though you're not going to win any beauty pageants.

No one means offence by these comments but I still don't like being told I'm fat. I always get offended -- I can't help it -- but I let it go as a cross-cultural faux pas I'm only aware of on my end.

And this has got me thinking about other similar small talk that Westerners find uncouth.

In Indonesia and Malaysia the classic conversation starter is "Where are you going?"

This question isn't meant to be answered literally although most Westerners don't know that so feel it's invasive.

"Why is it this guy on the street's business where I'm going?" people ask.

It's not, so just answer vaguely with something like the classic "jalan jalan," which means just wandering around.

In the same vein if you asked an Indonesian "How are you?" they'd find it weird. It's a pretty intimate question if you think about it. Why would you casually ask about someone's mental state? It's a big can of worms if you attempt to answer it honestly.

In China common small talk may start with "Have you eaten?" I like this one (perhaps because I'm poria). It insinuates getting invited in for a meal or going to eat somewhere yummy, although it's more of a polite thing to say than attached to any real expectations.

These are just a few and I'm sure there are many more examples of funny conversation starters from around the world. Please leave some in the comments! I'd love to hear from you.

When you fly from Tahiti to Los Angeles you pass over very little land mass. If you're lucky you may peer down at a coral atoll in the Tuamotus about 45 minutes after takeoff but after that there's nothing but clouds and lots and lots of ocean. The first dots come into view on the flight map only as you're approaching Los Angeles and these are the Channel Islands. When the small yellow specks appear, it feels like an event after so much blue, and their names sound so much more exotic than the big stinky city where you're about to land - - think with a Latin accent: Anacapa, San Miguel, Santa Rosa, Santa Cruz and Santa Barbara Islands. The fact that they're so close to major civilization yet relatively unknown makes them all the more romantic. Ever since I first flew over these islands 20 years ago I've wanted to visit them and I finally got the chance this last Monday.

I went with my mother in law who used to live on a sailboat around the islands in the early 70s when she and my father in law had the first urchin fishing licenses in the region. She hadn't been back since. Her stories of those days involve wild storms, fixing broken rigging while eight months pregnant and plenty of crazy characters. Our day on Santa Cruz Island 40 years later was to be much more mellow.

Instead of a homemade cement-hull sailboat a la 1970, we set out on a modern catamaran complete with snack bar and commentary over the loud speakers. It was cold and foggy at our starting point at Ventura Harbor but the ocean was calm. Pelicans flocked on the rocky breakwater as we puttered out into opaque white nothingness.



A few minutes out we stopped at a red buoy where a group of sea lions rested while others swam around in the blue-brown silky water. The commentator promised we'd see more marine life before we reached the islands, possibly even whales. Then off we went into the mist.

Despite the fact that I get seasick on just about anything and everything, I didn't feel so bad this day. After about 45 minutes of un-eventful cruising a couple at the front of the boat spotted something that looked like whales. I went outside on the bow and soon saw two large fins surfacing and plunging like wheels in the distance. As we came closer the commentator announced that these were Risso's dolphins. Soon a few more swam near the boat, close enough that we could clearly see the black and white speckled markings covering their torpedo-shaped bodies. The adults of this species are easily ten feet long, with a particularly long dorsal fin. After a few minutes of oohing and aahing we motored away again.



Only a few minutes later we came into a massive nursery pod of common dolphins. Mothers, tiny babies, sisters and brothers all swam over to play in our wake. It was like a giant soup of mammals splashing or gliding just under the surface showing off their streamlined bodies. They continued to follow us as the silhouette of Santa Cruz Island started to immerge from the fog. Pelicans glided over us to rest on a white-stained rock. As we approached the dock at Scorpion Cove, the sky cleared just enough that the sun could reflect on the water exposing kelp beds through the pristine, clear bay - this cove is only about 20 miles from the California coast and yet the ocean is nearly as clear as Tahitian waters.




Santa Cruz is the largest of the Channel Islands with 96 square miles of near-treeless grassy hills (the highest peak is 2,000 ft), rocky coves, streams, beaches and sea caves. Now it's a protected area but it was once a cattle ranch and Scorpion Cove is strewn with rusted old farming vehicles and equipment that look like modern art pieces. Before Europeans arrived, the island was inhabited by the Chumash Native American Indians for some 9000 years and you're constantly reminded of this my the shell midden in the trails running all over the island.



We only had two hours which is far too short to get anywhere on this big island. Like the Galapagos Islands the Channel Islands' isolation means that there are 145 species of plants and animals that are found nowhere else in the world. I can't say I saw any of these, but we did get a good hike up to the top of a dry, grassy hill where the fog cleared letting us see the steep coastline and some of the old farming buildings in the valleys. Down near the dock we picked figs and dodged cawing black crows, mad that we were stealing their fruit. Then reluctantly we got back on the boat.



A day trip is lovely but doesn't do these islands justice. Now I want to go back with camping and diving equipment, a kayak and at least a few days to explore. In many ways these islands are what California would have looked like without the effects of development and as an ex-native, this landscape feels like home. Only 250,000 people make it out to the entire park per year making this one of the least visited national parks in the US.

Despite twenty years of dreaming, my expectations of the Channel Islands were met. With their complex history, natural beauty and a near-mystical allure, how could they not?

Our round-trip boat ride to Santa Cruz cost $56 on Island Packers (www.islandpackers.com). For more information about the park go to http://www.nps.gov/chis/index.htm.

The question I get after "what's it like being a Lonely Planet author" is "how did you get your job?" My response is usually, "long story," because it is. People don't like this answer for obvious reasons so, in continuation of last week's low down on what it's like on the road as guide book author, here's how I got my job and some thoughts on how you can get a job like mine. Spoiler: it's not easy.

For me it started in 1998 when I lived on Ahe Atoll in the middle of the Pacific Ocean. All we had for communication was a short wave radio and a satellite telephone (that cost $10 per minute) that we used mostly as a fax machine in emergencies. Just to put where I was in perspective, this atoll had no roads, no plumbing and only one little store selling canned food. When you see those cartoons of a stranded guy sitting under a coconut tree surrounded by shark-infested waters, that's pretty much where I was. I also had a two year old and a newborn baby. So, imagine my surprise when I got a fax from an old school friend asking if I'd be interested in writing the French Polynesia guidebook for Lonely Planet.

But it wasn't in the cards that time. My friend (unknown to me) was working as Lonely Planet's publicity manager and when she heard they were looking for Tahiti writers she thought of me. I faxed her back to let her know I was interested but by the time the communication had gone back and forth, Lonely Planet had found someone else. A few months later I got offered Tonga from the Australian office but this time the communications seemed to just dissolve somewhere between my remote atoll and the satellite, so once again, I lost the job. Looking back this was for the best since there's no way I could have done what was needed to be done from my remote location and with two very small kids.

Fast-forward to 2001 and the Book Passage Travel Writers and Photographers Conference in Corte Madera, California. My family and I had recently moved to the much bigger island of Tahiti and I had started travel writing. I'd had a few things published and decided to attend the conference while visiting friends and family in the US. I had no idea Lonely Planet was going to be there and my school friend no longer worked there but I had had the seed put in my head that this was my dream job. Lonely Planet offered a workshop and I decided to take it.

On the last morning they told us all to wear good shoes and a sun hat and to get there at around 7am - the reason was a surprise. They drove us all into San Francisco and dropped us all off for about an hour to update a guidebook section. We had that night to write it all up and whoever did the best job would win two tickets to Europe and a chance to become an author; I think there were about 30 of us. I'll skip the details here, but I won.

We decided to go to Spain and Morocco that fall with the tickets. Unfortunately, a day before we were supposed to take the ferry from Spain to Tangiers, 9/11 happened. We were frozen, stuck in Spain with our two young kids, not knowing what to do. Instead of going to Morocco we got the first flight we could back to Tahiti. My husband's pearl business was severely effected by the plummeting economy and I suddenly had to work full time for him to try and save the business. Meanwhile, Lonely Planet's book sales dropped so dramatically that they closed the Oakland office where I'd just theoretically got a job, and everyone I'd just met was laid off. My chances of becoming an author again became just a dream.

Three years later, once the economy had settled a little bit, my family and I traveled to Mexico. Again, I'll skip the details of the trip but we ended up in this little coastal village called Chacahua on the Oaxaca coast. There were maybe four other foreigners in town and we became friends with an American woman at our guesthouse. Her name was Carolyn and, randomly, she was a managing editor for Lonely Planet. She also remembered me from the contest. We hung out for a few days and at the end she told me that, especially with my history with the company, that there was no reason I shouldn't be an author. Things had changed a bit by this time though so, via Carolyn writing a letter of introduction, I had to be accepted to write a sample chapter that would be reviewed by the recruiter. I was given the OK and then the sample took about two weeks to write (I did it once we were back home in Tahiti); after a few months of review and interview, I was accepted into the author pool.

Great, you think, but no. Getting accepted into the author pool doesn't guarantee work. A publishing schedule is sent out once a month and authors have to pitch for each individual title. Luckily for me, Tahiti was on the list and I secured my first gig within a few months. And the rest is history. Once the books I'm currently working on are out I will have contributed to over 30 Lonely Planet titles.

So how can you get a job? Honestly, it's harder today than it ever has been. The company hires very few new authors and only those who specialize in regions where they need people. To check the list go to www.LonelyPlanet.com/jobs - there were no listings when I wrote this post. This is your only hope.

I was lucky to have had connection, be in the right place at the right time and specialize in a region Lonely Planet needed but ultimately I can't imagine what I would be doing if I hadn't got this job. I kept the goal strongly in my head for years. You may not agree, but I'm a strong believer in the power of will mixed with gratitude to make things happen. I think anyone who wants this job badly enough and has the skills and work ethic to go after it, will eventually succeed. It just might take a long time.

Of course if you read my prior post about the realities of life on the road you might decide to keep your day job. For me though, through the hard pillows, blistered feet and days tied to my computer at home it's still what I love to do and what I hope to continue doing it for a long, long time.

The question I get after "what's it like being a Lonely Planet author" is "how did you get your job?" My response is usually, "long story," because it is. People don't like this answer for obvious reasons so, in continuation of last week's low down on what it's like on the road as guide book author, here's how I got my job and some thoughts on how you can get a job like mine. Spoiler: it's not easy.

For me it started in 1998 when I lived on Ahe Atoll in the middle of the Pacific Ocean. All we had for communication was a short wave radio and a satellite telephone (that cost $10 per minute) that we used mostly as a fax machine in emergencies. Just to put where I was in perspective, this atoll had no roads, no plumbing and only one little store selling canned food. When you see those cartoons of a stranded guy sitting under a coconut tree surrounded by shark-infested waters, that's pretty much where I was. I also had a two year old and a newborn baby. So, imagine my surprise when I got a fax from an old school friend asking if I'd be interested in writing the French Polynesia guidebook for Lonely Planet.

But it wasn't in the cards that time. My friend (unknown to me) was working as Lonely Planet's publicity manager and when she heard they were looking for Tahiti writers she thought of me. I faxed her back to let her know I was interested but by the time the communication had gone back and forth, Lonely Planet had found someone else. A few months later I got offered Tonga from the Australian office but this time the communications seemed to just dissolve somewhere between my remote atoll and the satellite, so once again, I lost the job. Looking back this was for the best since there's no way I could have done what was needed to be done from my remote location and with two very small kids.

Fast-forward to 2001 and the Book Passage Travel Writers and Photographers Conference in Corte Madera, California. My family and I had recently moved to the much bigger island of Tahiti and I had started travel writing. I'd had a few things published and decided to attend the conference while visiting friends and family in the US. I had no idea Lonely Planet was going to be there and my school friend no longer worked there but I had had the seed put in my head that this was my dream job. Lonely Planet offered a workshop and I decided to take it.

On the last morning they told us all to wear good shoes and a sun hat and to get there at around 7am - the reason was a surprise. They drove us all into San Francisco and dropped us all off for about an hour to update a guidebook section. We had that night to write it all up and whoever did the best job would win two tickets to Europe and a chance to become an author; I think there were about 30 of us. I'll skip the details here, but I won.

We decided to go to Spain and Morocco that fall with the tickets. Unfortunately, a day before we were supposed to take the ferry from Spain to Tangiers, 9/11 happened. We were frozen, stuck in Spain with our two young kids, not knowing what to do. Instead of going to Morocco we got the first flight we could back to Tahiti. My husband's pearl business was severely effected by the plummeting economy and I suddenly had to work full time for him to try and save the business. Meanwhile, Lonely Planet's book sales dropped so dramatically that they closed the Oakland office where I'd just theoretically got a job, and everyone I'd just met was laid off. My chances of becoming an author again became just a dream.

Three years later, once the economy had settled a little bit, my family and I traveled to Mexico. Again, I'll skip the details of the trip but we ended up in this little coastal village called Chacahua on the Oaxaca coast. There were maybe four other foreigners in town and we became friends with an American woman at our guesthouse. Her name was Carolyn and, randomly, she was a managing editor for Lonely Planet. She also remembered me from the contest. We hung out for a few days and at the end she told me that, especially with my history with the company, that there was no reason I shouldn't be an author. Things had changed a bit by this time though so, via Carolyn writing a letter of introduction, I had to be accepted to write a sample chapter that would be reviewed by the recruiter. I was given the OK and then the sample took about two weeks to write (I did it once we were back home in Tahiti); after a few months of review and interview, I was accepted into the author pool.

Great, you think, but no. Getting accepted into the author pool doesn't guarantee work. A publishing schedule is sent out once a month and authors have to pitch for each individual title. Luckily for me, Tahiti was on the list and I secured my first gig within a few months. And the rest is history. Once the books I'm currently working on are out I will have contributed to over 30 Lonely Planet titles.

So how can you get a job? Honestly, it's harder today than it ever has been. The company hires very few new authors and only those who specialize in regions where they need people. To check the list go to www.LonelyPlanet.com/jobs - there were no listings when I wrote this post. This is your only hope.

I was lucky to have had connection, be in the right place at the right time and specialize in a region Lonely Planet needed but ultimately I can't imagine what I would be doing if I hadn't got this job. I kept the goal strongly in my head for years. You may not agree, but I'm a strong believer in the power of will mixed with gratitude to make things happen. I think anyone who wants this job badly enough and has the skills and work ethic to go after it, will eventually succeed. It just might take a long time.

Of course if you read my prior post about the realities of life on the road you might decide to keep your day job. For me though, through the hard pillows, blistered feet and days tied to my computer at home it's still what I love to do and what I hope to continue doing it for a long, long time.

The question I get after "what's it like being a Lonely Planet author" is "how did you get your job?" My response is usually, "long story," because it is. People don't like this answer for obvious reasons so, in continuation of last week's low down on what it's like on the road as guide book author, here's how I got my job and some thoughts on how you can get a job like mine. Spoiler: it's not easy.

For me it started in 1998 when I lived on Ahe Atoll in the middle of the Pacific Ocean. All we had for communication was a short wave radio and a satellite telephone (that cost $10 per minute) that we used mostly as a fax machine in emergencies. Just to put where I was in perspective, this atoll had no roads, no plumbing and only one little store selling canned food. When you see those cartoons of a stranded guy sitting under a coconut tree surrounded by shark-infested waters, that's pretty much where I was. I also had a two year old and a newborn baby. So, imagine my surprise when I got a fax from an old school friend asking if I'd be interested in writing the French Polynesia guidebook for Lonely Planet.

But it wasn't in the cards that time. My friend (unknown to me) was working as Lonely Planet's publicity manager and when she heard they were looking for Tahiti writers she thought of me. I faxed her back to let her know I was interested but by the time the communication had gone back and forth, Lonely Planet had found someone else. A few months later I got offered Tonga from the Australian office but this time the communications seemed to just dissolve somewhere between my remote atoll and the satellite, so once again, I lost the job. Looking back this was for the best since there's no way I could have done what was needed to be done from my remote location and with two very small kids.

Fast-forward to 2001 and the Book Passage Travel Writers and Photographers Conference in Corte Madera, California. My family and I had recently moved to the much bigger island of Tahiti and I had started travel writing. I'd had a few things published and decided to attend the conference while visiting friends and family in the US. I had no idea Lonely Planet was going to be there and my school friend no longer worked there but I had had the seed put in my head that this was my dream job. Lonely Planet offered a workshop and I decided to take it.

On the last morning they told us all to wear good shoes and a sun hat and to get there at around 7am - the reason was a surprise. They drove us all into San Francisco and dropped us all off for about an hour to update a guidebook section. We had that night to write it all up and whoever did the best job would win two tickets to Europe and a chance to become an author; I think there were about 30 of us. I'll skip the details here, but I won.

We decided to go to Spain and Morocco that fall with the tickets. Unfortunately, a day before we were supposed to take the ferry from Spain to Tangiers, 9/11 happened. We were frozen, stuck in Spain with our two young kids, not knowing what to do. Instead of going to Morocco we got the first flight we could back to Tahiti. My husband's pearl business was severely effected by the plummeting economy and I suddenly had to work full time for him to try and save the business. Meanwhile, Lonely Planet's book sales dropped so dramatically that they closed the Oakland office where I'd just theoretically got a job, and everyone I'd just met was laid off. My chances of becoming an author again became just a dream.

Three years later, once the economy had settled a little bit, my family and I traveled to Mexico. Again, I'll skip the details of the trip but we ended up in this little coastal village called Chacahua on the Oaxaca coast. There were maybe four other foreigners in town and we became friends with an American woman at our guesthouse. Her name was Carolyn and, randomly, she was a managing editor for Lonely Planet. She also remembered me from the contest. We hung out for a few days and at the end she told me that, especially with my history with the company, that there was no reason I shouldn't be an author. Things had changed a bit by this time though so, via Carolyn writing a letter of introduction, I had to be accepted to write a sample chapter that would be reviewed by the recruiter. I was given the OK and then the sample took about two weeks to write (I did it once we were back home in Tahiti); after a few months of review and interview, I was accepted into the author pool.

Great, you think, but no. Getting accepted into the author pool doesn't guarantee work. A publishing schedule is sent out once a month and authors have to pitch for each individual title. Luckily for me, Tahiti was on the list and I secured my first gig within a few months. And the rest is history. Once the books I'm currently working on are out I will have contributed to over 30 Lonely Planet titles.

So how can you get a job? Honestly, it's harder today than it ever has been. The company hires very few new authors and only those who specialize in regions where they need people. To check the list go to www.LonelyPlanet.com/jobs - there were no listings when I wrote this post. This is your only hope.

I was lucky to have had connection, be in the right place at the right time and specialize in a region Lonely Planet needed but ultimately I can't imagine what I would be doing if I hadn't got this job. I kept the goal strongly in my head for years. You may not agree, but I'm a strong believer in the power of will mixed with gratitude to make things happen. I think anyone who wants this job badly enough and has the skills and work ethic to go after it, will eventually succeed. It just might take a long time.

Of course if you read my prior post about the realities of life on the road you might decide to keep your day job. For me though, through the hard pillows, blistered feet and days tied to my computer at home it's still what I love to do and what I hope to continue doing it for a long, long time.

The question I get after "what's it like being a Lonely Planet author" is "how did you get your job?" My response is usually, "long story," because it is. People don't like this answer for obvious reasons so, in continuation of last week's low down on what it's like on the road as guide book author, here's how I got my job and some thoughts on how you can get a job like mine. Spoiler: it's not easy.

For me it started in 1998 when I lived on Ahe Atoll in the middle of the Pacific Ocean. All we had for communication was a short wave radio and a satellite telephone (that cost $10 per minute) that we used mostly as a fax machine in emergencies. Just to put where I was in perspective, this atoll had no roads, no plumbing and only one little store selling canned food. When you see those cartoons of a stranded guy sitting under a coconut tree surrounded by shark-infested waters, that's pretty much where I was. I also had a two year old and a newborn baby. So, imagine my surprise when I got a fax from an old school friend asking if I'd be interested in writing the French Polynesia guidebook for Lonely Planet.

But it wasn't in the cards that time. My friend (unknown to me) was working as Lonely Planet's publicity manager and when she heard they were looking for Tahiti writers she thought of me. I faxed her back to let her know I was interested but by the time the communication had gone back and forth, Lonely Planet had found someone else. A few months later I got offered Tonga from the Australian office but this time the communications seemed to just dissolve somewhere between my remote atoll and the satellite, so once again, I lost the job. Looking back this was for the best since there's no way I could have done what was needed to be done from my remote location and with two very small kids.

Fast-forward to 2001 and the Book Passage Travel Writers and Photographers Conference in Corte Madera, California. My family and I had recently moved to the much bigger island of Tahiti and I had started travel writing. I'd had a few things published and decided to attend the conference while visiting friends and family in the US. I had no idea Lonely Planet was going to be there and my school friend no longer worked there but I had had the seed put in my head that this was my dream job. Lonely Planet offered a workshop and I decided to take it.

On the last morning they told us all to wear good shoes and a sun hat and to get there at around 7am - the reason was a surprise. They drove us all into San Francisco and dropped us all off for about an hour to update a guidebook section. We had that night to write it all up and whoever did the best job would win two tickets to Europe and a chance to become an author; I think there were about 30 of us. I'll skip the details here, but I won.

We decided to go to Spain and Morocco that fall with the tickets. Unfortunately, a day before we were supposed to take the ferry from Spain to Tangiers, 9/11 happened. We were frozen, stuck in Spain with our two young kids, not knowing what to do. Instead of going to Morocco we got the first flight we could back to Tahiti. My husband's pearl business was severely effected by the plummeting economy and I suddenly had to work full time for him to try and save the business. Meanwhile, Lonely Planet's book sales dropped so dramatically that they closed the Oakland office where I'd just theoretically got a job, and everyone I'd just met was laid off. My chances of becoming an author again became just a dream.

Three years later, once the economy had settled a little bit, my family and I traveled to Mexico. Again, I'll skip the details of the trip but we ended up in this little coastal village called Chacahua on the Oaxaca coast. There were maybe four other foreigners in town and we became friends with an American woman at our guesthouse. Her name was Carolyn and, randomly, she was a managing editor for Lonely Planet. She also remembered me from the contest. We hung out for a few days and at the end she told me that, especially with my history with the company, that there was no reason I shouldn't be an author. Things had changed a bit by this time though so, via Carolyn writing a letter of introduction, I had to be accepted to write a sample chapter that would be reviewed by the recruiter. I was given the OK and then the sample took about two weeks to write (I did it once we were back home in Tahiti); after a few months of review and interview, I was accepted into the author pool.

Great, you think, but no. Getting accepted into the author pool doesn't guarantee work. A publishing schedule is sent out once a month and authors have to pitch for each individual title. Luckily for me, Tahiti was on the list and I secured my first gig within a few months. And the rest is history. Once the books I'm currently working on are out I will have contributed to over 30 Lonely Planet titles.

So how can you get a job? Honestly, it's harder today than it ever has been. The company hires very few new authors and only those who specialize in regions where they need people. To check the list go to www.LonelyPlanet.com/jobs - there were no listings when I wrote this post. This is your only hope.

I was lucky to have had connection, be in the right place at the right time and specialize in a region Lonely Planet needed but ultimately I can't imagine what I would be doing if I hadn't got this job. I kept the goal strongly in my head for years. You may not agree, but I'm a strong believer in the power of will mixed with gratitude to make things happen. I think anyone who wants this job badly enough and has the skills and work ethic to go after it, will eventually succeed. It just might take a long time.

Of course if you read my prior post about the realities of life on the road you might decide to keep your day job. For me though, through the hard pillows, blistered feet and days tied to my computer at home it's still what I love to do and what I hope to continue doing it for a long, long time.